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Nummer 5
''Nummer 5 met zuivere tonen'' (Number 5 with Pure Tones) is a musical work by the Belgian composer Karel Goeyvaerts, realized at the WDR Studio for Electronic Music in 1953 and one of the earliest pieces of electronic music.
==History==
A first version of the work was written by March 1953, but it was only after his friend Karlheinz Stockhausen had finished his ''Studie I'' in November that Goeyvaerts was able to come to Cologne to realise his work. In the meantime, Goeyvaerts made a revised version of his score, probably in the Autumn, with a much more complex web of proportions over the entire composition that appears to have been influenced by Stockhausen's ''Studie'' (; ). Goeyvaerts was given technical assistance by Stockhausen in realising his work . The premiere of Goeyvarts's composition was given on 19 October 1954 on the inaugural concert of works produced in the WDR studio, together with the first performances of six other pieces: Stockhausen's ''Studie I'' and ''Studie II'', Herbert Eimert's ''Glockenspiel'' and ''Etüde über Tongemische'', Paul Gredinger's ''Formanten I/II'', and Henri Pousseur's ''Seismogramme''. Eimert emphatically titled these pieces "Die sieben Stücke" (The Seven Pieces), and long maintained that this was the first concert of electronic music (; ; ). In retrospect, Goeyvaerts was unhappy with ''Nummer 5'' as a finished product, because it demonstrated that absolute certainty lay outside his grasp .
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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